001-01. Snow in Manhattan 001-06. Summer Winds 001-07. Harrison Summer. 001-11. Central Park Opas One 2019. Oil on canvas. 20x24.   SOLD 001-12 Central Park Opas Two 2020  Oil on canvas. 20x24.   $1200 001-13. Gas Station Florida.    2019    Oil on canvas   20x24.   $1200 001-14. Morning Shower.  2021.  Oil on canvas  20x24.  $1200 001-15. Snow with Red Umbrella. 2018. Oil on canvas.    SOLD 001-16. Sound of  Rain in the Diamond District.  2020  Oil on canvas.  SOLD 001-17. Twilight snow in the East Village. 2021 Oil on canvas   $1200
001-01. Snow in Manhattan
001-06. Summer Winds
001-07. Harrison Summer.
001-11. Central Park Opas One 2019. Oil on canvas. 20x24. SOLD
001-12 Central Park Opas Two 2020 Oil on canvas. 20x24. $1200
001-13. Gas Station Florida. 2019 Oil on canvas 20x24. $1200
001-14. Morning Shower. 2021. Oil on canvas 20x24. $1200
001-15. Snow with Red Umbrella. 2018. Oil on canvas. SOLD
001-16. Sound of Rain in the Diamond District. 2020 Oil on canvas. SOLD
001-17. Twilight snow in the East Village. 2021 Oil on canvas $1200

Ryoichi Miura (三浦良一)

FACE BOOK: https://www.facebook.com/ryoichi.miura.5
Blog:  ryoichimiura.wordpress.com
e-mail:  miura@nyseikatsu.com

Born in Kushiro Hokkaido Japan 1956. I usually work as a journalist of the Japanese newspaper SHUKAN NY SEIKATSU published in New York, but since the late 1970s, I have worked on my own paintings in Tokyo and Los Angeles. After coming to New York in 1985, I went through a long, lost period in my art world. I would love to capture ordinary moments and scenes. In the NEW ENGLAND DIARY (August 28, 2016), Anders Cor, Ph.D. who founded Corr Analytics in 2013 addressed my paintings: “Miura painted his first oil painting when he was 13, and has painted ever since. 46 years later, Miura is now 59. The earliest influence from manga is delightfully visible in his current art. Illustrations in his children’s book, ‘Kids in N.Y.,’ (Kaiseisha, Japan, 2003) are eerily angled, imbalanced, falling. [Miura says,] ‘New York City is always moving. I wanted to express its movement and speed of the city.’ Miura is the Edward Hopper (American, 1882-1967) of his moment in New York City. Like Hopper, Miura’s paintings are lonely, urban, stark, transitory, estranged, anxious and tightly cropped. Yet Miura is hotter, faster, and more emotional. Miura, above all, wants to communicate emotion. ‘I see a scene that gives me an emotional response,’ he said.”

 

Shop now!